Showing posts with label Black Lion Records. Show all posts
Showing posts with label Black Lion Records. Show all posts

24 May 2018

Defiatory - Hades Rising



Band: Defiatory
Title: “Hades Rising”
Label: Black Lion Records
Release Date: 11 May 2018
Country: Sweden
Format Reviewed: CD (BLP 0049)

My insatiable thirst to identify and support the crème de la crème of newer Thrash Metal bands is at a fever pitch! Reviewing fantastic bands the likes of Terrifier, Objector, Conjurer and more, I’m truly starting to gain confidence that despite the imminent loss of stalwart bands such as Slayer, the up and coming crop of thrashers continue to improve…And we just may be in good hands after all.

In 2016 Defiatory released their debut album “Extinct” which certainly had a very raw Bay Area Thrash feel to it; but with a more modern approach in the mold of recent releases from Testament and Exodus. Although the genres faithful were impressed, the album honestly was overlooked by most.

Which leads us to “Hades Rising” a recording that doesn’t loose it's highly influenced riffing from the debut release, but adds a fresh coat of spit, fire and polish to their already impressive sound and vocals! This my friends is not to be overlooked, as the band takes in this reviewers opinion a major leap forward. Much of Martin Runnzell‘s vocal style is nestled somewhere between Nick Melissourgos from Suicidal Angels and Tom Araya, just listen to the familiarity on ‘Death Takes Us All’. But it’s the furious riffage that truly bares comparison to the Bay Area Thrash Scene of days gone by. Ludvig Johansson and Ronnie Björnström making the Masters of the Thrash Universe incredibly proud with their true to form performances on tracks such as ‘In Hell’ ‘Dance of the Dead’ and ‘Down to His Kingdom’ just to name a few standout renditions from the duo. Their old-school fueled and relentless approach from the debut is still rampant throughout, but with a bit more variety to their delivery and execution on “Hades Rising”. Making for a more varied experience from beginning to the end of the album. Perhaps my only issue with the first two releases is the bands apparent lack of variety in style and substance does exist.

But it’s really where tracks like ‘Morningstar’ and ‘Bane of Creation’ unveil a fresh and distinctive approach that the album truly strikes a nerve! Even the sinister intro and delivery to the crunchy ‘King in Yellow’ is another example of this advancement. This formula may be a real opportunity for Defiatory to significantly advance their sound and differentiate themselves next time around. As those standout performances along with ‘In Hell’ and the vicious title track kept me coming back for more and more of “Hades Rising”. So if you like your thrash in modern times where clean sound, vocals and production are so prevalent, but you yearn for the raw 80’s and early 90’s formula then Defiatory is the band for you! Perhaps becoming almost too clean for this reviewer on one hand…Maybe? But honestly this is truly an excellent all-around album that should quickly make its way on to your playlists and whatever listening format you prefer.

Highly recommended for fans of Evile, Vader & Suicidal Angels with obvious Bay Area Thrash and Testament Riff Worship throughout! Hail to the King! 8.5/10




8.5/10 To Greatness and Glory

**Please support the underground! It’s vital to the future of our genre.
#supporttheunderground


16 May 2018

Wormlight – Wrath of the Wilds

Band: Wormlight
Title: Wrath of the Wilds
Label: Black Lion Records
Release Date: 25 April 2018
Country: Sweden
Format reviewed: CD-quality Digital Promo

Wormilight began as Unhallowed in 2014, but soon after that rebranded, including name, lyrical orientation and inspiration, as well as members. Now with Tiamat Invictuz on guitar and vocals and King Antichrist on drums from the original line up, as well as of course Lord Arktos (bass) and Lator Mortis (guitar), with two EPs behind and overcame all the changes, the band is stronger than ever. This resulted in the just released “Wrath of the Wilds” – a brand new wild full-length album with so much wrath and energy. A mayhemic one. A passionate one. A very inspired black metal. A huge burning pyre on the ice of the Northern vastlands. Intensive. Taking one’s breath.

Compared to their previous efforts, the material in “Wrath of the Wild” is big step onwards in terms of composing and in terms of lyrics approach. Once being an antichrist oriented, now Wormlight turns much more to the Scandinavian mythology and this can be sensed in the melody of the tracks, as well as naturally into the lyrics. With Tiamat Invictus being responsible for all the music and the lines on this record, his personal tastes and influences are clearly displayed and incorporated into the bands artistry.

Ice cold and fiery at the same time, with 9 tracks with a total running time of crushing 55 minutes, this debut is an absolute celebration for all the fans of the Scandinavian black metal, as well as the new waves and bands. Very well structured songs, meaningful and long enough to feed the hunger for black metal. Energetic drumming turning into blasts, melodic solos all the time, fast tremolo pickings, open to palmed chords and riffs. Vocals are surprisingly good too – from the typical black metal, tenebrous screams and shrieks to death metal growls. My favorite tracks – the opener “Wrath of the Wild”, then “The Ghostlight’s dance”, “On Tattered Wings” and of course the absolute culmination of the album – “Nightmare”.

“Wrath of the Wild” is a very deep record, very enjoyable, melodic yet extreme, easily taking over the listener. It has its own cold atmosphere but carrying an explosive load. A black metal to really appreciate, bringing fire in the eyes and a faster heartbeat. “Wrath of the Wild” has own soul and direction. It definitely could be ranked among the finest black metal records of 2018. Highly recommended. 8/10 Count Vlad




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8/10 To Greatness and Glory

**Please support the underground! It’s vital to the future of our genre.
#supporttheunderground

05 September 2017

Legacy Of Emptiness (Nor) "Over The Past"

Well ... Legacy Of Emptiness from Norway with their last album "Over The Past". It took some time to compose. It started in 2013 and only saw the green light, that is, its completion in 2017 ... If it was worth your "delay"? Well ... We'll see ... I remember when I first heard two songs from this album, I got the idea, "Hmmm ... Symphonic Black Metal, and it's melodic ..." But nevertheless these two songs managed to captivate my ears. Strange, because I'm not a big fan of this musical genre. Nothing against, it just does not tell me anything. However I decided to "bet" a little and I arranged the Digipack of this band. Released by Swedish label Black Lion Records. It was worth it to be honest. It's not exaggerated the symphonic part during the whole album, at least in my opinion. Voice is a little skipping (in a good way) by Black Metal and Death Metal (More related to what many are accustomed to hear, in the wave of Swedish Melodic Death Metal bands). What it does, however, does not become "cloying" listening. "Despair" "Into The Eternal Pits Of Nothingness" or even "Four Hundread Years" are examples that the Black / Death mix is ​​very well made and the symphonic part is not exaggerated and which can even be well made and balanced. It even manages to bring a certain weight to the songs. I hope it has helped in choosing a future album to be bought by those who are reading this review, and who knows can advise a friend. If I advise the person outside the musical genre mentioned above? Only, and only if it is not "Traditional" one. To finish. Listen to the song "Transition" that despite being instrumental, its composition is very good. 7.5 / 10 By Me, Myself & I